Thriller (genre) - Wikipedia. This article is about the genre in general. For the specific movie genre, see Thriller film. Thrillers are characterized and defined by the moods they elicit, giving viewers heightened feelings of suspense, excitement, surprise, anticipation and anxiety. The cover- up of important information is a common element.

A thriller is usually a villain- driven plot, whereby he or she presents obstacles that the protagonist must overcome. Homer's Odyssey is one of the oldest stories in the Western world and is regarded as an early prototype of the genre. Characteristics. In short, if it .

As the introduction to a major anthology explains: “.. Thrillers provide such a rich literary feast.

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There are all kinds. The legal thriller, spy thriller, action- adventure thriller, medical thriller, police thriller, romantic thriller, historical thriller, political thriller, religious thriller, high- tech thriller, military thriller. The list goes on and on, with new variations constantly being invented. In fact, this openness to expansion is one of the genre's most enduring characteristics. But what gives the variety of thrillers a common ground is the intensity of emotions they create, particularly those of apprehension and exhilaration, of excitement and breathlessness, all designed to generate that all- important thrill. By definition, if a thriller doesn't thrill, it's not doing its job.”— James Patterson, June 2. It gives the viewer a feeling of pleasurable fascination and excitement mixed with apprehension, anticipation and tension.

These develop from unpredictable, mysterious and rousing events during the narrative, which make the viewer or reader think about the outcome of certain actions. Suspense builds in order to make those final moments, no matter how short, the most memorable. The suspense in a story keeps the person hooked to reading or watching more until the climax is reached. In terms of narrative expectations, it may be contrasted with curiosity and surprise. The objective is to deliver a story with sustained tension, surprise, and a constant sense of impending doom.

As described by film director Alfred Hitchcock, an audience experiences suspense when they expect something bad to happen and have (or believe they have) a superior perspective on events in the drama's hierarchy of knowledge, yet they are powerless to intervene to prevent it from happening. Suspense in thrillers is often intertwined with hope and anxiety, which are treated as two emotions aroused in anticipation of the conclusion - the hope that things will turn out all right for the appropriate characters in the story, and the fear that they may not. The second type of suspense is the . Common in mystery thrillers are investigations and the whodunit technique. Common elements in dramatic and psychological thrillers include plot twists, psychology, obsession and mind games.

Common in horror thrillers are serial killers, stalking, deathtraps and horror- of- personality. Elements such as fringe theories, false accusations and paranoia are common in paranoid thrillers. Threats to entire countries, spies, espionage, conspiracies, assassins and electronic surveillance are common in spy thrillers. The themes frequently include terrorism, political conspiracy, pursuit, or romantic triangles leading to murder. Plots of thrillers involve characters which come into conflict with each other or with outside forces. No matter what subgenre a thriller film falls into, it will emphasize the danger that the protagonist faces.

The protagonists are frequently ordinary citizens unaccustomed to danger, although commonly in crime and action thrillers, they may also be . While protagonists of thrillers have traditionally been men, women lead characters are increasingly common. The suspense often comes from two or more characters preying upon one another's minds, either by playing deceptive games with the other or by merely trying to demolish the other's mental state.

The tension usually arises when the character(s) is placed in a dangerous situation, or a trap from which escaping seems impossible. Life is threatened, usually because the principal character is unsuspectingly or unknowingly involved in a dangerous or potentially deadly situation. These usually tough, resourceful, but essentially ordinary heroes are pitted against villains determined to destroy them, their country, or the stability of the free world. Often in a thriller movie, the protagonist is faced with what seem to be insurmountable problems in his mission, carried out against a ticking clock, the stakes are high and although resourceful, they face personal dilemmas along the way forcing them to make sacrifices for others. History in literature.

In the Odyssey, the hero Odysseus makes a perilous voyage home after the Trojan War, battling extraordinary hardships in order to be reunited with his wife Penelope. He has to contend with villains such as the Cyclops, a one- eyed giant, and the Sirens, whose sweet singing lures sailors to their doom. In most cases, Odysseus uses cunning instead of brute force to overcome his adversaries. Little Red Riding Hood (1.

A wolf wants to eat the girl but is afraid to do so in public. He approaches Little Red Riding Hood and she naively tells him where she is going. He suggests the girl pick some flowers, which she does. In the meantime, he goes to the grandmother's house and gains entry by pretending to be the girl. He swallows the grandmother whole (in some stories, he locks her in the closet) and waits for the girl, disguised as the grandma.

The Three Apples, a tale in the One Thousand and One Nights (Arabian Nights), is the earliest known murder mystery. Harun orders his vizier, Ja'far ibn Yahya, to solve the crime and find the murderer within three days. This whodunit mystery may be considered an archetype for detective fiction. His only companion is an old man who teaches him everything from philosophy to mathematics to swordplay. Just before the old man dies, he reveals to Dant.

Shortly after, Dant. Thirsting for vengeance, he sets out to punish those who destroyed his life. The Riddle of the Sands (1. Layer by layer, the atrocities of the human soul and man's inhumanity to man are peeled away. Miss Hill Movie Poster (2015) Movie Out here. Marlow finds it increasingly difficult to tell where civilization ends and where barbarism begins. Funhouse Massacre (2015) Movie On Dvd.

Today this might be described as a psychological thriller. The Thirty- Nine Steps (1. John Buchan, in which an innocent man becomes the prime suspect in a murder case and finds himself on the run from both the police and enemy spies. The Manchurian Candidate (1. Richard Condon is a classic of Cold War paranoia.

A squad of American soldiers is kidnapped and brainwashed by Communists. False memories are implanted, along with a subconscious trigger that turns them into assassins at a moment's notice. They are soon reintegrated into American society as sleeper agents.

One of them, Major Bennett Marco, senses that not all is right, setting him on a collision course with his former comrade Sergeant Raymond Shaw, who has been activated as an assassin. The Spy Who Came in from the Cold (1. John le Carr. A man with gunshot wounds is found floating unconscious in the Mediterranean Sea. Brought ashore and nursed back to health, he wakes up with amnesia. Fiercely determined to uncover the secrets of his past, he embarks on a quest that sends him spiraling into a web of violence and deceit. He is astounded to learn that knowledge of hand- to- hand combat, firearms, and trade craft seem to come naturally to him.

Television. Although in no way linked, both series consisted of one- off dramas, each utilising the familiar motifs of the genre. The Twilight Zone consists of suspenseful unrelated dramas depicting characters dealing with paranormal, futuristic, supernatural, or otherwise disturbing or unusual events. Characters who find themselves dealing with these strange, sometimes inexplicable happenings are said to have crossed over into .